Kathleen

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47 plays

The Temptations > Get Ready
Composed by Smokey Robinson

What Was That? Week #2
Legends of Soul #10
Legends of Songwriting #18

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37 plays

Ella Fitzgerald > Get Ready
Composed by Smokey Robinson

By the end of the 60s the jazzbos were in a complete panic and would cover anything that would seem to make them relevant again. Luckily, the fear would subside within a couple of years and they great could resume being great.

Here’s the original.

What Was That? Week #1
Legends of Swing #3
Cover #50
Legends of Songwriting #18

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20 plays

Sam & Dave > Hold On, I’m A-Comin’
Composed by Isaac Hayes & David Porter

I’m even sure I had heard of soul music, as separate from pop or rock or hits or whatever, before I joined this group. It didn’t occur to me where my bandmates found all these great records, but they kept showing up with them and we kept learning them. These guys turned me on to everything from Smokey Robinson to Pink Floyd, and everything in between; it was an incredibly vital moment for the world, and for me personally.

It seems like we gravitated towards the Southern soul of Stax a bit more than Motown (though we did play Shotgun), maybe because of our instrumentation. We existed at the peak of soul as pop, which was just OK.

Neglekted Few Week #7
Legends of Soul #40, #41, #42
Legends of Pop #12
Tribute to Isaac Hayes #6

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15 plays

Otis Redding > Respect
Composed by Otis Redding

In the haze of a 40 year look back, I think of us as a soul combo. Though we probably looked at ourselves as a rock group, or a covers band. I remember rehearsing Respect out on Ray portico overlooking the beach the summer of ‘67 after Aretha made it a pop smash. Our arrangement was from Otis (via The Vagrants of Long Island, Farfisa and all), and Rodney couldn’t avoid Ree’s “R.E.S.P.E.C.T! “

Neglekted Few Week #4
Legends of Soul #5

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21 plays

Peaches & Herb > For Your Love
Composed by Ed Townsend

Our band was blessed with incredible vocal chops. Rodney was our lead singer and had the voice of a black angel. But when you added Phil and Ray, and trumped it with the three of them practicing in the school choir every week, we beat everyone in the harmony department, hands down.

It was the other guys who brought in most of our great material, including this Peaches & Herb track, which was one of our shining moments. (We even sang it on WABC Radio’s battle of the band competition, Cousin Brucie’s “Big Break.” Alas, we didn’t win.) They could sing the hell out of this one.

Neglekted Few Week #3
Ballad #38

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48 plays

Michael Jackson > Billie Jean
Composed by Michael Jackson

It’s hard making MJ Week shorter than a month, but I couldn’t avoid Billie Jean, yes?

This was the track that made everyone take notice, since many thought MJ had just gone from being a Motown toy to a Q tool (not that Quincy wasn’t a force in his own right).

Michael Jackson Week #4
Legends of Soul #37
Legends of Pop #9
Legends of Singer/Songwriters #6

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31 plays

The Jackson 5 > I’ll Be There
Composed by Berry Gordy, Bob West, Hal Davis, Willie Hutch

This ballad proved Michael was the beginning of the proof that Michael was a musician not a machine (and it was written and produced by humans not The Corporation). Always one of my favorites.

Michael Jackson Week #2
Legends of Soul #38
Legends of Pop #10
Legends of Songwriting #17

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36 plays

Michael Jackson > Don’t Stop ‘Til You Get Enough
Composed by Michael Jackson

I heard this record and realized that Michael’s talent seemed to come from somewhere in the sky, completely bypassing his brain and going right to his voice and his feet.

Michael Jackson Week #1
Legends of Soul #37
Legends of Pop #9
Legends of Singer/Songwriters #6